
The main sanctuary of the Ise Shrine
Tucked away in an isolated corner
of Mie Prefecture in central Honshu, Ise Shrine hides deep within
the woods of Shima Peninsula. For the magical and mysterious experience
Ise offers, the lengthy journey is well worth a diversion from the
beaten tourist track.
Ise is the most venerated shrine in Japan, representing the indigenous
religion, Shinto, and the mythical origins of the Japanese people.
Literally "the way of the gods", the fundamental belief
of Shinto is that spirits (kami) pervade the natural world. This
notion of kami appears in the creation myths of Japan, the Kojiki,
compiled in 712AD. These stories tell of two divine beings, Izanagi
and Izanami, who formed the islands of Japan and gave birth to a
myriad of deities representing different natural phenomena. Among
them was Amaterasu Omikami, the Sun goddess and patron saint of
Ise Shrine. Her image symbolizes Japanese national identity and
her shrine embodies the 'land of the rising sun'.
From the bus, I follow my fellow passengers through the massive
stone torii (gate) and we clamber onto Uji Bridge. Here I linger
to take in the smell of fresh cypress and be captivated by the crystal
clear water below. These holy waters embrace the very essence of
Japan, where the spirit of Amaterasu is believed to reside. The
modest white robes of devoted pilgrims dot the shoreline, ritually
cleansing their bodies in the traditional fashion. Envisioning my
awkward splashes upsetting this peaceful landscape, I use the shrine's
mini temizusha (holy water station) for my purifying hand scrub
and mouth wash.
I take in my surroundings - vacant and serene. The enormous grounds
unfold before my eyes and I try, but fail, to imagine any other
place in Japan so open and unadorned. The silence is soothing, my
ears being accustomed to the typical annoyances of most tourist
attractions: noisy food stalls and gaudy souvenir vendors, hollering
at sightseers. Ironically, I felt that by stepping through the first
torii gate into the spiritual heart of the nation, I had actually
left Japan behind.
The Emperor makes an annual trip to Ise, to ceremoniously rid the
nation of its impurities. He is traditionally believed to be a direct
descendent of Amaterasu in the long line of divine rulers, beginning
with her own grandson Jinmu. Officially supreme, but actually a
mere figurehead for the entire feudal period, the Emperor regained
governing power during the Meiji Restoration of 1868, when a democratic
society was created.
The architects of the new regime called upon the uniquely Japanese
Shinto legends and practices in an attempt to stir patriotic enthusiasm
and ease the transfer of power from the previous warlord caste who
had ruled for over 250 years. The Emperor's image was raised to
an almost cult-like adoration and massive structures named jingu,
operated by the new Ministry of Religion, endorsed systematic worship
of the Imperial family. These shrines were modeled on the original
jingu: Ise. New state-controlled doctrines and rituals were introduced,
and priests became state employees. When Japan lost the Second World
War, the emperor publicly renounced his divinity and Shinto was
de-centralized.
While Ise plays a vital role in shaping the modern era of Japan,
these unpretentious grounds have an even more significant role of
protecting the secrets of Japan's racial origins. The Kojiki tells
us that Amaterasu gave her grandson, Jinmu, a gift of three imperial
regalia to prepare him for the task of being Emperor. The three
sacred treasures include a sword (symbolizing valor), a jewel (affection),
and a mirror (honesty).
The sacred mirror is kept at Ise, wrapped in a bag, stored in a
dark casket on a raised platform, and protected by four surrounding
barriers. Inaccessible to the human eye, only 'divine' emperors
are permitted to view the relic. When the bag decays over time,
it is simply placed in new bag, to avoid defilement. Clues to the
origin of the Japanese people may be inscribed on the back of the
mysterious mirror.
Dubious individuals, who claim to have seen the mirror, agree that
the horizontal writing on the bronze back is distinctly un-Japanese
in style and resembles ancient Hebrew or Aramaic, spawning theories
that connect the Japanese people to the ancient nomadic Jewish tribes
who vanished from history after the Assyrian conquest in 722 BC.
Scholars have found similarities in ancient Hebrew and Japanese
ceremonies, priest apparel, the structure and layout of shrines,
language used in ancient texts, and the three imperial regalia having
been used as tokens of authority. It has also been argued that the
Ise Shrine symbol, carved into the stone lamps surrounding the complex,
is the Star of David.
I follow a cool and shady wooded path leading up to the Inner Shrine.
Insulated from the din of traffic, only the soothing whispers of
the cryptomeria trees disrupt the silence. I arrive at an impressive
set of stone steps, but am not impressed by the news: no photography.
However, upon climbing the stairs, one discovers that there is no
view of the shrine to shoot. The walled complex is protected by
vigilant security guards and nearby trees double as hidden cameras.
Through a tiny veiled opening in the gates, it is possible to make
out the Shrine's silhouette. On tippy-toes, the roof is barely visible.
While the original Ise shrine dates back to the 5th century, a
glimpse at the roof reveals fresh wood. It is customary to rebuild
Ise shrine and the adjoining Uji Bridge every twenty years, a process
which serves to preserve traditional carpentry skills.
The shrine is built entirely of interlocking beams of wood, supported
by posts that are fitted directly into the earth - no nails or cement
are employed in the process. When the shrine is recreated, both
the old and new stand side by side. Transporting the sacred mirror
is a top-secret mission, executed in the darkness of night. Only
when it is carefully concealed in the new shrine, the old structure
is disassembled. White stones are laid to mark the location of the
old building.
The secrets and mysteries of Ise playfully teased, but allowed
wild imaginations to run free. Rejuvenated and refreshed, I left
the Inner Shrine and headed into the woods to admire more of Amaterasu's
beautiful backyard. 
How to get there:
From Tokyo to Nagoya station:
Tokaido Shinkansen 'Hikari/Nozomi' Unreserved seat (1h. 45min.)
¥10,070, reserved seat: ¥10,980
From Nagoya to Ise-shi station:
1. Kintetsu Limited Express (1h. 20 min.)
¥ 2,690
2. JR express 'Mie rapid' (1h. 22 min.)
¥ 3,000
From Kyoto to Ise-shi station:
1. Kintetsu Limited Express* (2h. 13 min.)
¥ 3,520
*There are two trains per hour
From Osaka (Tsuruhashi station) to Ise-shi station:
1. Kintetsu Limited Express* (1h. 40 min.)
¥ 3,030
2. Kintestu Express (2h. 12 min.)
¥ 1,750
*There are four trains per hour
Useful Links:
International Shinto Foundation
The Shrine's official web site
Moshiach
Online: Mystery of the Ten Lost Tribes |